I wasn’t entirely familiar with Immortal Technique before I saw this interview, though I’m hoping my good buddy George will burn me a copy of some of his work. Hell, after watching this, I may actually buy his music legitimately.
This man is clearly exceptionally intelligent and has his finger on the pulse of current events, not to mention world history and geo-politics stretching back quite a ways.
I mean for fuck’s sake, he’d probably be a pretty decent professor now wouldn’t he?
I’ve been impressed with RT for some time, mostly because they dare to ask precise and damning questions and seem to enjoy pushing the boundaries set by the mainstream North-American media. I doubt you would see a man such as Immortal Technique granted prime-time access on a major American network, not unless it fit the mould of a ‘gangster-rapper-turned-community-activist’ storyline. Too bad, because when I think of America and Americans in a positive light, I would prefer to think of the kind of individual he presents himself to be: individually libertarian with a strong social consciousness, thoroughly unabashed in attacking the American establishment for the many-headed Hydra it has become. Attacking it openly and criticizing it decisively for its hypocrisy, nepotism and blatant disregard for the rights and wishes of its own people. I hate to think that an individual such as Immortal Technique is considered an ‘alternative’ or ‘underground’ rapper, when the truth he speaks is the truth we’re all trying to avoid. It is reality, and no one wants to admit it.
Check out this new series of photos I snapped back in May crossing the Jacques-Cartier – definitely a must-do for all Montrealers; can be a tad on the hair-raising side, especially if you go into the big Art-Deco structure near the entrance to LaRonde. Go with a group. The view from the Bridge is really cool, though its quite high up, though not for the faint of heart.
When I first looked up this album to get some basic background information, I was astounded to see Robert Christgau, who I usually think is right on the money, gave this album a C+ rating. What can I say, I was intrigued and I was expecting a half-assed musical diversion. After listening to this album maybe about a dozen times over the last few days I can say that its consistent, innovative and in some cases infectious, and worth more than a C+ for the arrangements alone and musical experimentation alone.
Peter Gabriel’s fourth eponymous album, (released as Security’ in North America) does indeed feature the single Shock the Monkey, a song Peter Gabriel describes as a love song. I always liked it, even before I knew what it was about, for its unique musical stylings, not to mention the oft-repeated and somewhat bizarre (possibly sexual?) hook. I didn’t entirely know what to expect, although I was curious to see what would lead into Shock the Monkey.
The album is definitely moody, at times triumphant, at times compelling, but without a doubt generally enigmatic. I don’t know how to describe it because the sound he creates across the album is unique and different from its constituent parts, which include Ghanian drums, tapes and loops, synths and funk-like bass lines. It’s as much a ‘world-music’ album as it is a proto-industrial one, and fits comfortably in the pantheon of New Wave. I’d compare it to the Talking Heads’ “Remain in Light”, or Byrne & Eno’s “My Life in the Bush of Ghosts” though these are far from direct comparisons. At other times you hear what was clearly established back when Gabriel was fronting Genesis, at other times I’m convinced he’s channeling what Boards of Canada was seeking fifteen years later.
On one hand, I’ve taken a couple of American history courses, so I’m familiar with the racist implications of blackface. I’m also cognizant that there are American academics (Black, White, etc) who dispute these implications, some arguing that the racism of the minstrel show must be contextualized within the era it was popular, and that, like it or not, the minstrel show was often politically satirical and anti-establishment (in that a performer in Blackface may have been able to be provocative, insightful as a ‘character’ in a manner that may not be so well received out of character).
Moreover, early presentations of Uncle Tom’s Cabin would have featured white actors playing Afro-Americans in blackface, though the role would have been far from a racially insensitive given the abolitionist and “re-constructionist” themes present in the play.
If you look at the highest rated comment on the CBC News website, it happens to be from a person apparently of Jamaican descent, who doesn’t seem to see any of the racist implications and views the issue as merely kids playing games costumed as a Jamaican track & field team. In his words – if you’re going for a Jamaican Sprinting Team theme, you need to dress the part. And this happens to be the fastest track and field team on Earth; they’re national heroes and worthy of the praise and adulation afforded to any Olympic athletes. While I’d personally feel uncomfortable wearing blackface, I certainly wouldn’t feel the same way about wearing an Usain Bolt jersey.
And is it still racist if the individuals in question are themselves portraying or rendering homage to people they admire or who are otherwise admirable?
I think it would a different case if they had done this and dressed as Bloods or Crips, as that would re-enforce a negative and transnationally negative stereotype.
It wasn’t brilliant, but I don’t think it was overtly malicious. Although the audio is poor, they don’t seem to be saying anything racist, nor are they attacking, harassing or otherwise accosting Black students on campus.
And I’m not certain telling people to go smoke weed is racist either, nor is it stereotypal of Jamaicans per se. The Rastafari Movement is a recognized religion in Canada and it originated in Jamaica, where estimates place active participants at about 5% of the total population. And as we all know, smoking marijuana is a sacrament for the Rastafari.
So if an HEC student wearing a dread-lock hat tells a Black student to either go smoke weed, or to join him in smoking a joint, who’s being offended here exactly? The societal taboo against smoking marijuana in public is principally an American one, so again what place does it have in our country?
What do you think? I don’t want to jump the gun until the university finishes its investigation, but I don’t see how any of this is overtly racist or aggressive. Dumb, unaware maybe, but I don’t even know how you might penalize these actions in any appropriate way other than making those responsible watch some government produced cultural sensitivity training video.
Come to think of it, maybe that is punishment enough.
Found this waltzing around Concordia University - what a gem!
1. Unpaid Internships and the Death of Dreaming
Have you tried looking for a job lately?
Apparently there’s a major economic recession going on, despite the oft-too-rosy predictions and prognostications of the federal Tories. And who’s bearing the brunt of this recession, seeing precious few options for employment and far too many chances to be taken advantage of? The answer, students and immigrants, should hardly seem surprising.
And what’s perhaps most sickening about the realities of our economic decline is how similar these two groups are when it comes to their financial situation and their respective job prospects. What’s worse is that while both of these groups struggle to keep their heads above water, they are often stuck in an unenviable position, weighed down by competing against each other for precious service-sector jobs, spiraling personal debt and a host of social stigmas. Worse still, both groups are often ridiculed by the ‘job-providing-elites’ in government and industry for their apparent inability to remove themselves from dire financial situations, and the seemingly vicious circle of bad employment, bad credit and perpetual economic hardship and financial insecurity.
Perhaps you’re a recent graduate, not so different from myself, carrying a load of student debt that is driving your credit score down while eating up precious quantities of the limited funds you take home. If you’re lucky enough to be employed in a stable job you enjoy, you may be able to keep up with your payments, but it is unlikely you will experience real financial freedom and stability until these debts are paid in full. Given the scarcity of career paths these days as Baby Boomers hang on to their jobs for as long as their experience is an asset to the company, recent graduates are generally forced into unfortunate positions where they continue to compete with enrolled students for part-time, service-sector jobs. The big difference though is that they now have considerably larger bills to pay off and as such are undesirable. Believe me I know. I once tried making a part-time job a full-time one, and paid for it by losing the job outright. I was ‘too expensive’.
