Tag Archives: Urban Redevelopment Issues

Covering Over Modernity

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This here’s a photo of what Montreal looked like back in the early 1930s.

To situate yourself, first you’re looking ‘Montreal east’ – that’s the Jacques-Cartier Bridge under construction, and by my guess I think the airplane was flying near the intersection of Rue de la Montagne and Boulevard Saint-Jacques, or Mountain and St. James as it was colloquially referred to back then.

This is Montreal right before the Depression really began to be felt in Canada, and right after about fifty years of considerable and near constant economic growth for our city.

This is Montreal back when Canada had but one metropolis.

This is Montreal back when it defined what metropolis meant in the Canadian context.

If you stare at this photo long enough you’ll see all that remains, and there’s a lot all things considered.

But consider as well that just about everything in the lower half of the photo is gone.

You can see the transition here (not my work, but hat’s off to the responsible party).

In the contrast you can see the effect of monumental construction projects and just how much space is actually eaten up by the Ville-Marie Expressway.

The depopulation of the central core of our city is clear, but so too is the amount of space we demand on an individual level also glaringly apparent. Back in the 1930s there was a lot more happening, so much more life, packed tighter together. At the top of the picture is more-or-less the limit of the ‘urban’ montreal of the day, and it wouldn’t have extended much father in other directions either.

This is back when NDG was the suburbs.

Montreal’s population was recorded at just under one million people in 1931, and you can imagine the majority of those people would have lived and worked in the area photographed above.

Montreal witnessed a steady decline in population between 1971 and 2001, from our all-time high of 1,766,000 to 1,583,000 at the start of the new millennium. The city lost 183,000 people, largely to suburbanization, during that thirty-year period. Concurrently, the city deindustrialized (as other major North American cities did at the time) and gave up considerable tracts of land to highways and parking lots, facilitating the new white collar workers who worked in the new corporate office towers of the urban core.

It’s unfortunate, because we’ll never have this kind of urban density again, and as a consequence I doubt we’ll ever be able to truly replicate the urban lifestyle aesthetic of our first metropolitan era.

René Lévesque Boulevard as it appeared circa 1962, looking east from about Bishop
René Lévesque Boulevard as it appeared circa 1962, looking east from about Bishop

This is downtown Montreal at the beginning of the 1960s. Here you can see the effect cars had on redesigning the city, as what was once an elegant and small street (Dorchester) was transformed into a major urban traffic artery. Dorchester, now Boul. René-Lévesque, was widened starting in the mid-1950s to make way for the new commuter class driving in from neighbourhoods located much farther away than had ever previously been convenient. As ‘Gilded Age’ mansions were torn down they were replaced with massive new buildings, such as the Tour CIBC (seen above, the slender slate-grey tower), Place Ville-Marie etc.

In all the renderings of exposed highway trenches developed for the city, they all sort of look like this - like canals in an American Venice
In all the renderings of exposed highway trenches developed for the city, they all sort of look like this – like canals in an American Venice

Hand-in-hand with the redevelopment of Dorchester came the construction of a major east-west highway, today known as the Ville-Marie Expressway. The Ville-Marie was a success in one manner of thinking because so much of it was put underground (as opposed to above ground, such as Metropolitan Boulevard north of the mountain), meaning it could be eventually covered over again. Unfortunately this took a lot longer and had a more deleterious effect than city planners had imagined. In the 1960s, when planning and construction of the Ville-Marie began, there was this idea, as you can see in the above rendering, that the new ‘sunken’ highway would take the form of a post-modern canal, stimulating new growth immediately next to it. This didn’t really happen as developers were disinclined to build right next to an open highway trench. Moreover, planners back in the 1960s failed to realize just how unappealing an open highway trench would actually be for all the people walking around above.

View of exposed sections of Ville-Marie Expressway, from the Tour de la Bourse, circa 2000
View of exposed sections of Ville-Marie Expressway, from the Tour de la Bourse, circa 2000

This is what the Ville-Marie looked like right before the first serious efforts to recover the lost land actually began. Notice that parts weren’t completely open – the tunnel roof is visible – but that for whatever reason no efforts had been made to reclaim this space. This would change at the start of the new century with the planned redesign of Victoria Square and the development of the Quartier Internationale.

The exposed section, recovered. Notice the CDP Capital building lower left corner, and the enlargement of the Palais des Congrès, over the former exposed tunnel
The exposed section, recovered. Notice the CDP Capital building lower left corner, and the enlargement of the Palais des Congrès, over the former exposed tunnel

During 2002-2003 the square was completely redesigned, concurrently with the construction of the CDP Capital Centre, the enlargement of the Palais des Congrès and the construction of Place Riopelle between the two. All of this was located atop the tunnel. The CDP Capital Centre is particularly impressive (and I’d encourage you to visit it during normal business hours) as the architect designed a building that sits atop the tunnel but doesn’t place any weight on it – the atrium is in fact located directly above the tunnel, with the weight of the building pushed off on to either side.

At around the same time, the Underground City was extended to connect the once separate eastern and western axes through this area. Arguably the most impressive and least used parts of the RÉSO can be found here.

So clearly it is possible to build on top of the tunnel/trench.

The question comes down to cost.

The last remaining exposed  part of the trench - a prime location for new construction
The last remaining exposed part of the trench – a prime location for new construction

This is the remaining open part of the Ville-Marie Expressway, between the new CHUM superhospital and the Palais des Congrès. As you can see, it’s a considerable amount of space. Mayor Denis Coderre wants to build a park atop the highway trench on the easternmost portion. Transport Quebec, the provincial transport ministry, has said, unequivocally, no. They argue it will cost too much without giving any idea as to what they think it will cost.

This is called ‘convenient political obstructionism. It isn’t the plan they don’t like, it’s that the Mayor of Montreal is planning it and, for reasons that still make no sense to me, a highway used almost exclusively by Montrealers is outside the jurisdiction of City Hall.

When the mayor can’t decide to build a park on top of a highway trench without running it through the often anti-Montreal Québec government, you know there’s a problem.

And as to the other two-thirds of the trench, well, there’s enough space here to build an entirely new Palais des Congrès (not that I’d advocate for another convention centre in the same space, but simply to illustrate just how much area we’re actually talking about).

It strikes me as odd the city, province and various private developers couldn’t get together and devise a plan to cover over this remaining section. If costs are as prohibitive as the province seems to believe, then perhaps the recovering job ought to be a public-private partnership. Get private developers to front part of the cost so that they can get the rights to build above. Something tells me this would be an excellent location both for office towers and condominiums, given that this open hole happens to be in the middle of just about everything. I can imagine living and working here would appeal to a lot of people.

The next phase - this is passed for a park on top of a highway in 1982; neat idea, poor execution, worse location.
The next phase – this is passed for a park on top of a highway in 1982; neat idea, poor execution, worse location.

And just in case there’s any doubt it can be done, it has been done before. The Agora pictured above is probably one of our city’s least used (and enigmatic) public spaces because it’s terribly uninviting. Moreover, due to its design and the relative poverty of the surrounding area for far too many years, it was taken over by local homeless people. My first apartment in Montreal was right in front of it and throughout the summer the entirety of Viger Square was a makeshift homeless campground. The single biggest problem with the public spaces created above the Ville-Marie in the late 1970s and early 1980s is that lines of sight across the spaces are blocked by walls and hedges.

I don’t want to see the Agora torn down because I think it might work very well in another part of town, but the fact remains, these places aren’t being used as best they can.

Especially considering the creation of the Ville-Marie Expressway caused the stately Viger Square to be destroyed.
Especially considering the creation of the Ville-Marie Expressway caused the stately Viger Square to be destroyed.

What I’d like to see is large, green, urban parks with clear sight lines across, much like Viger Square before it was demolished to excavate for the Ville-Marie. Given the new housing built in the area in the last decade, I think it would be wiser to create a more traditional green space in this area and move the post-modern agora a little closer to the city centre. I think the agora would work much better in an area in which thru-traffic can be guaranteed and stimulated. This is simply impossible where it currently stands largely because it’s bounded by two major boulevards and there’s not much going on in its current location to stimulate the much needed ‘ballet of the streets’.

All that said – this is our city, our highway, our public spaces and ultimately our problem. The effort to remove the scar left by our efforts to modernize fifty some-odd years ago has only been partially achieved. In order to build a more cohesive city, and further to beautify it and increase population density, we must be given the tools to be masters of our own domain.

Maitres chez nous…

The Redpath Mansion – Now What?

Redpath House - Credit: Guillaume St-Jean, 2005
Redpath House – Credit: Guillaume St-Jean, 2005

Good news in the world of architectural heritage preservation (boy I like writing that) as culture minister Maka Kotto announced a thirty-day moratorium on the planned demolition of the historic Redpath Mansion.

The culture ministry used a law stipulating that if the government feels there’s a ‘real threat of significant degradation of a property that may have heritage value’ it can stop work for about a month during which time it would (drum roll) produce a study concerning the building and it’s architectural and/or historic value.

So…where exactly does this leave us?

The government has a month to produce a study about a building Heritage Montreal already likely has a massive dossier on. I’m not sure what new conclusions the government hopes to arrive at. The home on Ave. de la Musée was once owned by the John Redpath, owner of the eponymous sugar refinery and builder of the Lachine Canal.

*Note – come to think of it, I’ve seen this building named after Frederick Redpath as wellm so this will need to be cleared up.

So there’s the short answer as to whether the house has any historic value. Montreal simply wouldn’t have become the metropolis it is today without the Lachine Canal. Mr. Redpath is as good an example as any of the kinds of wealthy industrialists that once drove the economy of this city (and province, and country) and who populated the Square Mile district over one hundred years ago (note – it was never actually referred to as the Golden Square Mile).

Also, the home was the site of the grisly murder of two Redpaths, a murder unsolved to this day – see more here.

As to the architecture, the building is significant in that it’s one of the few remaining examples of Queen Anne style architecture, and was designed by the noted architect Sir Andrew Taylor (who also designed the Redpath and Osler libraries at McGill) and constructed circa. 1885-1886.

Unfortunately, the building has been left to crumble, an excellent case of ‘demolition via neglect’.

It’s significant in that respect too, and this is why, despite the building’s poor shape, I’m glad this injunction will prevent it’s demolition.

In sum, I want it to continue standing forevermore, and I want nothing to be done to it to save it.

I’d very much like for this city to have a permanent ruin, a once gorgeous, impressive, ludicrously well-appointed Gilded Age mansion destroyed by greed and political incompetence.

Let it stand, a testament to itself.

Plus, I’m curious to see how long it will stand if we just let nature take its course.

It’s been vacant for more than thirty years, and a portion of the home was demolished prior to the previous injunction filed against the rightful owners of the home, the Sochaczevski family, also the proprietors of The Suburban.

How the situation unfolded works something like this. First, the Sochaczevski’s purchased the house with the intention of having it demolished so that a condo tower could be built on the site. Apparently there was no problem until Heritage Montreal/Sauvons Montreal caught wind of it and had a last-minute injunction filed with the provincial authorities. this was done, but not before part of the house had already been demolished. Then there was a lot of legal wrangling in which nothing was done for many years, the building left to crumble.

Now the owners are making yet another attempt to develop a new building on the site – though this time it’ll be for ‘student housing’ (though not actually affiliated with any known university, nor offering the coziness of sleeping in something which is designed buy the same companies who build prisons…) i.e. really expensive flop houses for wealthy foreign students.

And once again someone has stepped in to prevent the demolition from taking place.

We’re literally back to square one.

From what I know the Sochaczevski’s haven’t been compensated one iota for all this dicking around.

And it’s not like Heritage Montreal or the Quebec government has any idea what to do with the building either. In fact, no one does, and because of the poor condition it’s in, no one wants to front the cash to fix it up.

The owners can be blamed for letting it go to waste, but at the same time, it’s ridiculous for us to have heritage preservation laws on the books if there’s no compensation nor any follow through.

It’s quite the penalty to the owners but it also demands that the city and province have a plan and a better way to deal with problems such as these. And you’d think we’d have figured out that solution quite some time ago, given architectural preservation drives our tourism industry.

So all to say I’m encouraged by the government’s decision but would love to get a little further than simply delaying demolition. We need a plan and I don’t think the PQ is going to start dishing out money to renovate a Gilded Age mansion with no plan regarding its use after the job is complete. And the Redpath House is just the tip of the iceberg.

What about the Lafontaine House, crumbling away as the last piece of the forgotten Overdale neighbourhood. Louis-Hyppolyte Lafontaine was arguably more important than even John Redpath and his house is in slightly better condition and there’s no plan at all to save it from being demolished.

Then there’s the Notman House, also historically significant. Last I heard it was being used for local start-ups but that was a while ago and so the project may have fizzled. The old Dandurand Wines office on Sherbrooke (the Forget House?) has been empty for some time, but at the very least is being maintained.

Long story short, the city, province and federal government need to coordinate to save these homes and repurpose them for the public’s use. The same can and should be said for our city’s many churches, which have become exceptionally important not for religious and spiritual reasons, but because they provide vitally necessary space to community groups. As neat as it might be to convert one or two old churches into condominiums and/or spas, we need to remember that these buildings fundamentally belong to the public and not the highest bidder.

But again, without any kind of organization in place to transition these buildings into new roles and secure funding, we’re at as much of a risk of losing significant amounts of our architectural heritage inasmuch as the physical realms of community and civic engagement.

Which in turn begs the question – what is the point of architectural preservation advocacy groups if they’re limited to simply pointing out dangers and cataloguing what has been lost and what might be lost in the future?

This city needs a heritage trust.

The Oldest Buildings in Montréal

New York Life Insurance Bldg

So just how old is this city, really?

We talk a lot about the city’s history and architectural heritage, of its old world charm. And of course we know that the city was founded by the Kingdom of France in 1642.

It may surprise you to learn that much of our historic architecture isn’t actually that old; there are very few 17th century buildings left on the island of Montréal.

The remnants of the Fort de la Montagne date back to 1694 and can still be found today on the grounds of the Collège de Montréal at Fort and Sherbrooke. These were long believed to be the oldest buildings in Montréal, but new evidence suggests that parts of the Sulpician Seminary adjacent to Notre Dame Basilica (1829) actually date back to 1687, though much of what remains today would have been integrated into a large renovation which occurred in 1710.

These would be the two oldest remaining structures within urban core of Montréal, but recent civic amalgamations have brought the single oldest inhabitable building on the entire island into the fold. The LeBer-LeMoyne House sits here at the intersection of LaSalle and Lachine by the western tip of the Lachine Canal. It dates to 1671 and is a national historic site owing to its importance in the development of the fur trade.

Victoria Square Historic

Further west, parts of the remnants of Fort Senneville may date from 1692 when the French Governor rebuilt the original 1671 construction, itself destroyed by fire, but this is difficult to ascertain given how little is actually left. Last I heard there were parts of a stone windmill and parts of the foundation.

In Pointe-St-Charles you’ll find the Maison Saint-Gabriel a farm house dating from 1698 which had been used by the Congrégation Notre Dame as a school, among other things, back in the French Colonial Era.

Chateau Ramezay, across the street from the Hotel-de-Ville (1878, rebuilt in 1922) dates back to 1705 with certainty, as its regal and political importance kept it very much in use until it was developed into one of the city’s first public heritage and cultural sites. The Chateau competes with the Sulpician Seminary as the oldest continually used, continuously important, building.

But this is about it. Old Montréal and the Old Port dates primarily to the late-19th and early-20th centuries. Historic properties in the Golden Square Mile, Shaugnessy Village, Saint Henri, Westmount, Mile End and Plateau are roughly as old.

Port of Montreal from Bonsecours Market ca. 1900

We lack buildings from much of the 18th century thanks to a series of fires which destroyed the city several times over the course of that century. By the early 1800s new fire-prevention measures had been implemented, including the use of tin shingles in lieu of cedar (a point honoured in the mural at McGill Station, near the words ‘La Sauvegarde’). The pre-Confederation part of the 19th century witnessed a revival in ‘Habitant’ architecture dating back to the mid-17th century (in design and materials used) among local architects, while American and British firms worked on larger public constructions, such as the Bonsecours Market (1847) and Saint Patrick’s Basilica (1847) and the original Parliament Building (destroyed by a Tory mob in 1849 and today the location of a converted fire hall at Place d’Youville. In 1815 the old fortifications were torn down, allowing the city to begin expanding outward. In this sense, everything you consider to be city outside of Old Montreal has really only been in use for about two-hundred years, though most of the buildings were built in the last half-century.

That said we nonetheless have a few 18th century examples remaining, including the Notre-Dame-de-Bonsecours Chapel (otherwise known as the Sailor’s Cathedral) built in 1771 on the ruins of another church. There also still stands the Papineau House, built in 1785.

Dorchester Square Historic

Rue de la Frippone owes its name to the Old French government warehouse that once stood on the site, as the government officials would habitually fleece the stocks for their own use. Thus, cheat street.

I can imagine there may be some old treasures lost about Rue Saint-Paul, Rue Saint-Jean-Baptiste, Saint-Gabriel and Saint-Francois-Xavier as well, but the prevalence of ‘heritage design’ in the 19th century makes it a difficult task to ascertain just how old something actually is.

Suffice it to say, what we generally consider to be the ‘architecturally significant’ old part of the city is only about 100-160 years old, not terribly representative of our nearly 400 year local history. In effect, the most tangible reminder of our colonial era is a system of roads laid down by surveyor Dollier de Casson back in the late-17th century.

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I drew my inspiration for this article from a City of Montreal tourist guidebook I have that was published around 1900 or so (photographs illustrating this article were scanned form it). Imagine that when this book was published, much of what is now considered to be the historic old city was then very new and very much in use. In fact you likely would have found many more older structures outside Vieux-Montréal back then, ironically enough, as this was then the city centre, and between 1880 and 1930 the focus of a massive redevelopment.

In this book it discusses what would have been the oldest structures in the city back at the turn of the 20th century, and as you might imagine the aforementioned examples are included. However it also suggests that a building on Rue Saint-Vincent may have once belonged to Monsieur De Catalogne, contractor of the Lachine Canal of 1700. The building here in white may be that house. There’s another on Rue Saint-Louis which also looks quite old, an odd small single-family home on a comparatively large plot near the municipal courthouse.

Windsor Station Antique

I think we’re well positioned to maintain a considerable portion of what currently exists in Vieux-Montréal, which will be far more impressive and significant at the end of this century. If we want to keep this rather pristine jewel of Ancien Regime based late-Victorian cityscape we’ll have to maintain (if not increase) the local population, introduce new services (both commercial and civic) and facilitate a renewal of purpose for the citizenry at large. Better public transit access wouldn’t hurt either, but options are limited (for better or for worse) to a re-introduction of trams. My understanding is that the ground might not be stable enough to permit Métro access further south than the Orange Line, but of course if trams were introduced they’d need to operate as independently of vehicular traffic as possible. It would be very much in keeping with the style and design of Vieux-Montréal if we were to re-introduce trams on Rue de la Commune, Notre-Dame, and Saint-Antoine with intersecting lines at Berri, Saint-Urbain, McGill and Peel, connecting to Berri-UQAM, Place-d’Armes & Place-des-Arts, Square-Victoria, Bonaventure & Peel respectively.

DSC06219

It’s a high concentration of transit in a small but high-traffic area and to secure a greater range of service optimization it may be worthwhile to focus it on a kind of site-specific transit system optimized for the entirety of the Old Port, Old Montreal, Griffintown, Goose Village and Cité-du-Havre/Parc Jean-Drapeau. It would make a lot of sense to people – when you’re in the old part of town you use a trams, an ‘old’ yet still practical form of public transit. And who knows, design it well enough and we may create something truly fitting, wondrously appropriate and efficient as well aesthetically pleasing. It could be a big hit.

But this itself is predicated on the notion that Old Montreal could be more valuable if it were a more viable place to live. We’d be wise not to build modern or post-modern residential towers here, but revisit the style that remains. I’d like to see the few remaining vacant lots filled with new versions of classic Montreal Beaux-Arts architecture, as well as some building variety as well – a good portion of Griffintown already feels too much like a series of large warehouses converted into horizontal apartments; throwing in some classic small-scale buildings could help solidify the rustic charm of our former frontier town. I said before we’re well positioned – interest in this area is generally high even if it’s localized economy is currently too negatively impacted by moderate drops in annual tourist revenue. Adding more people and the means for a viable community to form would help counter this problem, and would add the possibility for multi-generational investment in heritage properties. Fill up the vacant spaces with the buildings required to create a community and ensure the design fits, and then give it its purpose-built mass-transit system and Vieux-Montréal would transform from tourism hub to neighbourhood – a place where one comes from as opposed to a place one merely visits.

DOminion Square Historic

It’s not just that we want to preserve old buildings, function must be preserved as well.

Montréal doesn’t just have a collection of old buildings, we have an old city, an antique urbanism. And it’s viability and utility to the metropolis (for it could be an obscenely wealthy neighbourhood to boot) is tied quite directly to careful planning from City Hall. And this is because we expect the city to, if nothing else, at least preserve the historic built environment, that has now for several generations made every Montrealer feel like they come from a place truly different and distinguished.

The Empress Theatre – A landmark in limbo

The Empress Theatre, from across Sherbrooke Street West in Girouard Park, NDG - Fall 2008

The Empress Theatre is back in the hands of the Borough of Cote-des-Neiges/ Notre-Dame-de-Grace, and the City is calling on the public for suggestions on what to do with the 84 year-old theatre.

CTV Montreal reports that after a 12-year effort to develop the former theatre into a community cultural centre, the borough has decided to reclaim the building and the reigns as to the project’s direction. This Fall they’ll be hearing new and revised proposals for the site, which has been abandoned since an electrical fire gutted much of the interior back in 1992.

I’ve had the chance to correspond with several people involved with the revitalization project over the years, and have even had the chance to go inside and see the potential of this building. It’s unreal. It has that warm fuzzy feeling large empty buildings slowly being reclaimed by nature give off.

Unfortunately, I’ve also seen the damage, and there is a dearth of investment capital for theatre renovation these days, as one might imagine. Back last August renovation work was estimated at $11 million and the City was inclined to support some of the work, but the project otherwise had to finance itself.

This in turn leads me to one of the major sticking points of the project: how will it generate revenue? It would seem as though this is not just a sticking point for myself, but for the project as a whole. No one knows how to come up with the capital if not for government grants and private donations. What I found curious was that there didn’t seem to be a plan for use of the space as a performance venue. While it was hoped that the site would become a permanent home to a theatre company, there were no other plans to generate revenue through performance, which is exactly what this kind of a theatre was designed to do.

The Empress was built in 1927 as an Egyptian-styled ‘atmospheric theatre’ with a comparatively high seating capacity, featuring a balcony and boxes. The ornate interiors were designed by world-renowned theatre designer Emmanuel Briffa, who had also designed the interiors of a host of other Montreal theatres – almost none of which survive today. There isn’t much to salvage, and indeed any revitalization of this space, if it were to be done to resurrect the aesthetic of Briffa so as to do tribute to him, would necessitate additional costs to incorporate what remains of the original design into a cohesive reproduction of the original, something which may be possible thanks to the rather large qualities of media collected for just such a reconstruction. But more to the spirit of the theatre, the Empress was designed to be used with vaudeville in mind, and was thus inherently designed to be multi-functional, providing a wide spectrum of performance entertainment possibilities. It was well known in this respect.

Click here for an ultra high-resolution picture of the former Cinema V from back in 1982.

Today, the Empress is a hollow shell of its former self. It has been abandoned since the fire in 1992 and is slowly being eroded by time and the elements. If nothing is done, it will go the way of the Seville and York Theatres. The City has been described as having seized the Empress from the non-profit Empress Cultural Centre which up until recently was in-charge of finding a developer interested in revitalizing the dilapidated theatre.

Seize sounds overly dramatic, given that no one has the capital to redevelop the theatre, ownership of a semi-abandoned too-dangerous-for-admittance building seems tenuous for all parties concerned. It’s a miracle the building is at least structurally sound – for the moment.

The interior is dark, stark, and filled with all the goodies an urban explorer goes looking for. As you can imagine, the people in charge of the revitalization effort aren’t too pleased with the explorers, who inadvertently drive up insurance costs.

And so it is, back to the public for calls and considerations. What to do with an old theatre that could be saved and put to good use for the community by providing a much-needed performing arts venue, if only someone was prepared to put between 10 and 15 million dollars into an obstinately altruistic endeavour? What to do indeed!

It’s profoundly naive to think someone’s going to come up with this kind of capital if the project has no hope of generating revenue. This is a double-penalty to the initial investor, as there would remain the issue of financing the yearly operating costs of whatever cultural activities going on inside. None of this would be cheap.

Therefore, it seems profoundly irresponsible to me to go forward on this project without knowing exactly how, we as members of the community, intend to generate the capital necessary for completion. If the community can’t figure out how to pay for this project, then the city will turn around, condemn the building and raze it, partially or thoroughly, and allow a developer to do with the site as he or she sees fit. And if this happens, everybody loses, city and citizens together. The citizens will lose a vital cultural space located in the centre of the community, while the city loses the potential indirect economic benefits of having just such an institution in our backyard.

NDG lacks a proper performing arts venue, and Sherbrooke Street West lacks a cultural institution to anchor the street and serve as an intellectual and cultural focal point of the community. The Empress could be all these things, in addition to an economic generator if there was an organization in place whose goal it was to generate a ‘self-sustaining’ level of revenue through regularly scheduled performances and other entertainment activities. I can imagine a seat of community activity, all day, every day, right across from the jewel that is Girouard Park. Moving forward it is imperative that revenue-creation be taken into consideration as an element of the renovation/revitalization of the site.

But what about the community? We need something more than just a performance venue, we need a community cultural centre, which is another vital community component lacking from NDG. An architect was brought in to make a recommendation as to what to do with the space back in 2005. Among other things, he indicated there was enough space inside to have one or two stages, a gallery space, between two and three storefronts, offices, rehearsal and construction facilities in addition to a dance studio and rooftop terrace. It was ambitious to say the least, but it’s still feasible. And the bigger the redevelopment, the greater the possibilities for potential revenue creation. To handicap the project prematurely by not seeking a thorough renovation and maximization of the space inside would be regrettable, as this may only prolong the demise rather than stimulate new growth.

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One final point: one of the greatest concerns of the people I spoke with, various local residents and members of the ECC, was that the city would repossess the building and sell it to an unscrupulous real estate developer who in turn would gut the interior and resort to banal façadism, providing a limited number of excessively expensive ‘theatre-themed’ condo units within. I thought the nightmare to be a bit over the top, but I suppose that danger isn’t completely irrational. Still, the Borough hasn’t yet made a call, and they in all sincerity think another public pitch for tenders may present new investors and opportunities.

Now consider this: there’s a parking lot adjacent to the Empress, roughly half the area of the theatre. The other half of the adjacent lot features a nondescript two floor building with restaurants and small shops.

A condominium project on this theatre-adjacent site, possibly a condo tower with a multi-floor underground parking lot and a commercial rental-property base, may provide the initial investment capital for the Empress’ rehabilitation. I can’t imagine a more solid investment than one in Montreal’s as-yet un-satiated condo market, especially if this particular condo project would a) be in a neighbourhood where condos are still a rarity, b) have a commanding view of Girouard Park, the Oratory, the Mountain, the City (and just about everything else!) and c) be adjacent to a newly revitalized performing arts venue and community cultural centre. The Seville sold out in a half hour, do you think we could beat that record? I can imagine the owner of the adjacent building and parking lot could be motivated to sell or invest, especially if the resulting commercial base offered his tenants more modern and efficient facilities. At least three revenue streams could be generated from such a development, and this in turn could provide the capital necessary to execute the renovations of the Empress and provide start-up funds for the performing arts venue and community cultural centre. These costs could be incorporated into the cost and value of the condominium units. I can imagine once the theatre is financially self-sustaining, they may be able to pay off this investment back to the condo developers.

In any event I digress, that’s just one unorthodox proposal. It should be an interesting few months and I’ll definitely be following this story.