Tag Archives: Dorchester Square

Nothing succeeds like excess

The City of Montreal has announced plans to renovate the northernmost section of Dorchester Square at an estimated cost of $4.2 million. A $700,000 contract was awarded to noted local landscape architect Claude Cormier to prepare the design and tender specifications.

The section of Dorchester Square to be renovated runs between Peel and Metcalfe from the south entrance to the Dominion Square Building to the ‘camilienne‘ (also known as a vespasienne, it’s the small stone octagonal building with a café in it, identical to the similarly-purposed building in Carré Saint-Louis) and would include extending the green ‘footprint’ of the city square by reducing the number of lanes on the street that runs between the square and the building. Additionally, land around the entrance and exit to the underground parking lot would be reclaimed, somewhat, and pedestrian bridges are to be built over them.

As Andy Riga puts it in the Gazette “Under the current layout, pedestrians must contend with cars entering and leaving an underground parking garage adjacent to the square.”

Contend seems like an odd choice of words to me, as it gives the impression of a taxing struggle. We’re talking about cars slowly moving in to and out of a parking garage in a space that naturally attracts large numbers of pedestrians and has a posted speed limit of 10 km per hour. I no more have to ‘contend’ with the difficulties of navigating vehicular traffic here than any other intersection in the city, but I digress.

Perspective from Dominion Square Building looking 'Montreal South'
Perspective from Dominion Square Building looking ‘Montreal South’

What slays me is the bridges over the parking garage access ramps; talk about an over-engineered solution to a non-existent problem.

I can’t recall any serious incident involving a pedestrian struck by a car or a bus on either the side-street or the garage ramps, such that it requires physically segregating one from the other. That said, it might be neat to have a vantage point on the square from several feet above the ground.

But the cost… $4.2 million is a lot of money to be spending on parks beautification in an uncertain economy.

Don’t get me wrong, I like that the city is spending money on our parks and public spaces, I just wonder if we’re really going about this in the most efficient way possible. It seems that all too often the city waits for major renovations and redesigns when better year-to-year maintenance would make that unnecessary.

For your consideration: the Mordecai Richler Memorial Gazebo, Viger Square, Cabot Square up until about half a year ago…

The other thing to consider is that, as far as Dorchester Square/ Place du Canada is concerned, this would be the third phase of a project that stretches back about seven years and has so far cost $15.4 million. The third phase would increase the total to just under $20 million, assuming the new project’s current estimate is accurate.

It’s worth noting that the plan is to have the renovation completed by August of 2017, after one year of work.

I can imagine at least part of the $4.2 million project cost is related to this unusually rapid turn-around time. The first phase of Dorchester Square’s renovation, completed after about two years of work in 2010, cost $5.4 million and the southern section, Place du Canada, opened in November of last year after being worked on for about the same amount of time, at a cost of $10 million.

Consider that we’re spending $4.2 million to renovate a section of park roughly one-third the size of the space renovated six years ago at a cost of $5.4 million.

In other words, we’re spending a lot more per square meter to renovate a much smaller space.

So perhaps we need to reconsider the expensive novelties – like the pedestrian bridges and the half-fountain.

Bird's eye rendering of new Dorchester Square; note the pedestrian bridges
Bird’s eye rendering of new Dorchester Square; note the pedestrian bridges

I want to go to there…

L to R: Tour CIBC, Sun Life Building, 5 Place Ville-Marie, Mary, Queen of the World Cathedral, Queen Elizabeth Hotel
L to R: Tour CIBC, Sun Life Building, 5 Place Ville-Marie, Mary, Queen of the World Cathedral, Queen Elizabeth Hotel

Thanks to the magic of this isometric view of the city’s downtown core, you can appreciate a curious design element of the Sun Life Building that’s fascinated me for years.

The Sun Life Building is the big grey pyramidal building dominating the photograph above, built in three stages between 1913 and 1931 in a blend of styles I can’t quite put my finger on. There seem to be both Art Deco and Beaux Arts influences, but they don’t exactly dominate the design so I’ve never been too sure.

Either way, the original Sun Life Building was the first ‘third’ (i.e. the southern block) of the base, and this was expanded first north before the set back tower was completed at the height of the Depression, rising to some 24 floors and securing the title of largest building in the British Empire for many years.

One day many moons ago I was walking around downtown with my eyes pointed towards the skies and I noticed that I could ‘see through’ part of the building’s second tier. Whereas I had previously assumed the southern second tier was a solid block of offices I now realized there was instead an arcade of sorts, composed of columns holding an extension of the roofline, completing the symmetry of the building despite being conspicuously absent of office space. It looked like the Sun Life Building had erupted out of the ground around an ancient temple and in the process hoisted it up eight floors above the ground, gradually incorporating it into the whole.

Among this great building’s many traits are its numerous pleasant surprises, such as the building’s internal imbalance despite being outwardly perfectly (though deceptively) symmetrical – walk around the foyer and you’ll realize that though you’re in the apparent middle of the ‘pyramid’, the commercial ground floor arteries extend far further north than south. Even the elevator banks seem a bit off-centre. Cunning if you ask me, but more realistically driven by necessity – the interior form of the original Sun Life Building was, to my knowledge very well maintained, and this may explain why there’s nothing built on its roof. From what I’ve heard there’s a rather grand looking trading floor inside this building, perhaps well lit by natural light flowing in from above.

That’s the best explanation I can come up with on my own at least. I’ll need to confirm my suspicions – hopefully the building manager’s a fan of this blog.

Anyways, back when I first saw this architectural curiosity I immediately thought it belonged on film – some long sequence where the view from up there interacts with the ample surroundings and landmarks gathered around Dorchester Square. A scene with someone walking along the length of columns, the city holding steady in the background, streams of light cascading, through the arcade.

But it comes to mind that this might be an excellent place for a restaurant too. Granted the requisite renovations would require significant start-up capital, and the restaurant game is a harsh and cruel mistress even at the best of times, but I can’t imagine they’d be at a loss for customers. I can picture the tables arranged between the massive pillars, the interior recess of the Sun Life Building on one side, the cathedral and Place du Canada beyond, greens and blues in the background complementing the stone and granite, the floral arrangements and ‘hanging gardens of Babylon’ aesthetic of this most unique Montreal eatery. I’d eat there every day or as often as I could afford it.

And if there ever was a restaurant here, it’d likely end up on some master list prepared by a location management company, and so I might get my wish to see this place on film in the end anyways.

Wishful thinking I know, but what can I say – this could be an ideal location for a really top-flight restaurant in an area where establishments of that variety are, though not exactly in short supply, nonetheless stagnant.

The Force of Montreal

21-87 by Arthur Lipsett, National Film Board of Canada

So here’s something.

This is a film called 21-87, by noted Montréal avant-garde film-maker Arthur Lipsett. While he was working as an editor and illustrator at the NFB (back when the NFB was quite literally laying the foundation of Canadian cinematic arts), he created an apparently mesmerizing collage of diverse audio recordings he had collected over the years and weaved it into film. He combined stock footage he found on the cutting room floor of the NFB along with his own footage of various urban scenes from the city streets of New York and Montreal. The result is a rather impressive short film I too feel compelled to watch several more times (though that’s largely because I’m tired and think I’m missing something – film criticism is not my forte, I’m still astounded Vaudeville fell to the Talkies. But I digress…)

Like too many great Canadian artists Lipsett was way too far ahead of his time and committed suicide two weeks shy of his 50th birthday largely unknown and under appreciated. But he did have a profound and lasting impact on a young George Lucas (as well as Stanley Kubric; Lipsett was offered a chance to create the trailer for Dr. Strangelove but declined. What Kubric ultimately produced was heavily inspired by Lipsett).

Lucas credits the inspiration for his idea of ‘The Force’ to a specific moment in the film when the word is mentioned, in the decontextualized snippet of an apparently spiritual conversation (at 3:51).

But it is the imagery that caught my attention at that moment. The old man feeding the pigeons is doing so in Phillips Square, and is sandwiched between shots of a flock of pigeons soaring above Dorchester Square, in such a fashion that it looks almost like the same birds jumped from one cut to another, sweeping from left to right. A character of an old man with a hat, at first feeding pigeons and well dressed, then disheveled yet holding a bird in his hands, continues this micro-story arc through what seems to be several different pieces of film. That’s what George Lucas was looking at when he began to conceive The Force, a belief and pseudo-spiritual plot device that has inspired some 400,000 Brits to describe themselves as Jedi, making Jedi the fourth largest reported religion in the United Kingdom (there are more reported Jedi in the UK than Sikhs, Buddhists and Jews; you can’t make this shit up.)

You can read as much into this as you like, I just think it’s neat that George Lucas, the man who created one of the most enduring, popular and lucrative films of all time was thinking up The Force while watching a crazy old man play in pigeons in one of my favourite city parks.

Also it should be stated that Dorchester Square looks really good but, as I suppose I am somewhat unaccustomed to seeing my city in black and white, I found the textures and character of the buildings facing the square (all of which are still there and just as prominent today, they nonetheless seem more severe and imposing. In one instance the Dominion Square Building looking like a cloudy backdrop quickly coming into focus as a detailed wall of windows. The glass and slate CIBC Tower almost appears as a solid mass, and in the background the Cathedral looms large and ominous, as if viewed through a fog.

Yet in the foreground there are quaint and relaxing scenes we could quite literally go see in real time any old day of the week during the more temperate months. Dorchester Square still has possibly crazy old men talking to and feeding the pigeons. In Phillips Square, by contrast, a newspaper-hawking dwarf handles such affairs. Plus que ça change, eh?

What do you think of 21-87?